List of concertos by Joseph Haydn - Wikipedia

List of concertos by Joseph Haydn

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The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.). The exceptions are the concertos for keyboard and for baryton which are placed in categories XVIII and XIII, respectively.

Contents

• 1 For violin
• 2 For violoncello
• 3 For violone (double bass)
• 4 For horn
• 5 For trumpet
• 6 For flute
• 7 For oboe
• 8 For 2 lire organizzate
• 9 For baryton
• 10 For harpsichord, organ or piano
• 11 See Also
• 12 Notes
• 13 References

For violin[edit]

• Violin Concerto No. 1 in C major, Hob. VIIa:1 (ca. 1765)
• Violin Concerto No. 2 in D major, Hob. VIIa:2 (1765, lost)[1]
• Violin Concerto No. 3 in A major, Hob. VIIa:3 "Melker Konzert" (ca. 1770)
• Violin Concerto No. 4 in G major, Hob. VIIa:4 (1769)

Other Concertos (Hob. VIIa:A1/B1/B2/D1/G1) are not authentic, i.e. are not by Joseph Haydn.

- D1 - Concerto, en ré majeur, pour violon et orchestre (2 hautbois, 2 cors, 2 violons, alto et basse) (work by Carl Stamitz?)

- G1 - Concerto, en sol majeur, pour violon et cordes (2 violons, alto et basse) (work by Michael Haydn?)

- A1 - Concerto, en la majeur, pour violon et … (work by Giovanni Mane Giornovichi?)

- B1 - Concerto, en si bémol majeur, pour violon et cordes (2 violons, alto et basse) (by Michael Haydn)

- B2 - Concerto, en si bémol majeur, pour violon et cordes (2 violons, alto et basse) (by Christian Cannabich)

For violoncello[edit]

• Cello Concerto No. 1 in C, Hob. VIIb:1 (1761-5)
• Cello Concerto No. 2 in D, Hob. VIIb:2 (Op. 101) (1783)
• Cello Concerto No. 3 in C, Hob. VIIb:3 (lost)[1]
• Cello Concerto No. 4 in D, Hob. VIIb:4 (spurious, written by Giovanni Battista Constanzi in 1772?)
• Cello Concerto No. 5 in C-Major, Hob. VIIb:5 (spurious, written by David Popper in 1899)[2]

For violone (double bass)[edit]

• Violone Concerto in D, Hob. VIIc:1 (lost; may have been burned and destroyed?)[1]

For horn[edit]

• Horn Concerto in D major, Hob. VIId:1 (lost)
• Concerto for Two Horns in E flat, Hob. VIId:2 (lost)
• Horn Concerto No. 1 in D, Hob. VIId:3, 1762
• Horn Concerto No. 2 in D, Hob. VIId:4 (doubtful; possibly by Michael Haydn), 1781
• Concerto for Two Horns in E flat, Hob. VIId:6 (attrib.; possibly by Michael Haydn or also by Anton Rosetti ; maybe Hob. VIId:2?)

For trumpet[edit]

• Trumpet Concerto in E flat, Hob. VIIe:1, (1796)

For flute[edit]

• Flute Concerto in D, Hob. VIIf:1, (lost, 1780?)[1]
• Flute Concerto in D, Hob. VIIf:D1 (spurious, by Leopold Hoffman)

Haydn also wrote several more concertos, which have all been lost.

For oboe[edit]

• Oboe Concerto in C major, Hob. VIIg:C1 (1790?) (doubtful, possibly by Ignaz Malzat)

For 2 lire organizzate[edit]

These concertos were written for Ferdinand IV, King of Naples whose favorite instrument was the lira organizzata[3] -- an instrument similar to the hurdy-gurdy. Modern performances use flute and oboe (or two flutes) as the soloists.

• Concerto No. 1 in C major, Hob. VIIh:1, (1786)
• Concerto No. 2 in G major, Hob. VIIh:2, (1786)
• Concerto No. 3 in G major, Hob. VIIh:3, (1786) "Romance" movement later adapted to become the "Military" movement of Symphony No. 100
• Concerto No. 4 in F major, Hob. VIIh:4, (1786)
• Concerto No. 5 in F major, Hob. VIIh:5, (1786) second and third movement later adapted to be part of Symphony No. 89

For baryton[edit]

There are 3 concertos for baryton known but lost or have doubtful authenticity.

• Concerto for baryton in D, Hob. XIII:1 (before 1770)
• Concerto for baryton in D, Hob. XIII:2 (before 1770)
• Concerto for 2 barytons in D, Hob. XIII:3 (before 1770)

For harpsichord, organ or piano[edit]

• Keyboard Concerto No. 1 in C, Hob. XVIII:1 (1756)
• Keyboard Concerto No. 2 in D, Hob. XVIII:2 (1767)
• Keyboard Concerto No. 3 in F with Horns and strings, Hob. XVIII:3 (1771)
• Keyboard Concerto No. 4 in G, Hob. XVIII:4 (1770)
• Keyboard Concerto No. 5 in C with strings, Hob. XVIII:5 (1763)
• Keyboard Concerto No. 6 in F with violin and strings (Double Concerto), Hob. XVIII:6 (1766)
• Keyboard Concerto No. 7 in F, Hob. XVIII:7 (exists with a different slow movement as the piano trio Hob. XV:40)
• Keyboard Concerto No. 8 in C, Hob. XVIII:8 (1766)
• Keyboard Concerto No. 9 in G, Hob. XVIII:9 (doubtful authenticity, 1767)
• Keyboard Concerto No. 10 in C, Hob. XVIII:10 (1771)
• Keyboard Concerto in F, Hob. XVIII:F1
• Keyboard Concerto in F, Hob. XVIII:F2
• Keyboard Concerto No. 11 in D, Hob. XVIII:11 (1779–80) 1st mvmnt (help·info)

On the above list, where as noted No. 9 is doubtful, only Nos. 3, 4, and 11 are considered confirmed as genuine.[4]

Two works often identified and even published as piano concertos by Haydn, and commonly taught to younger piano students, are actually Divertimenti, grouped in Hob. XIV. Specifically, they are Hob. XIV:3 (the "Little Concerto" in C major), and Hob. XIV:4 (another "concerto" in C major). However, another work of similar technical difficulty that is also identified and published as a concerto is the Concerto in F, Hob. XVIII:F1.

Fonte: https://en.wikipedia.org/wiki/List_of_concertos_by_Joseph_Haydn 

Pintura de Haydn por John Hoppner (1791)

Torce

Pescou

O fado é um estilo musical português. Geralmente é cantado por uma só pessoa (fadista) acompanhado por uma guitarra clássica (nos meios fadistas denominada viola) e uma guitarra portuguesa. O fado foi elevado à categoria de Património Cultural e Imaterial da Humanidade pela UNESCO[1] numa declaração aprovada no VI Comité Intergovernamental desta organização internacional, realizado em Bali, na Indonésia, entre 22 e 29 de Novembro de 2011.

A imagem: Painel do Fado por José Malhoa, José Vital Branco Malhoa nasceu em Caldas da Rainha, na Região do Centro de Portugal, em 28 de abril de 1855. Com apenas 12 anos entrou para a escola da Real Academia de Belas-Artes de Lisboa.[1][2] Em todos os anos ganhou o primeiro prémio, devido às suas enormes faculdades e qualidade artísticas.

Realizou várias exposições, tanto em Portugal como no estrangeiro, designadamente em Madrid, Paris e Rio de Janeiro. Foi pioneiro do Naturalismo em Portugal, tendo integrado o Grupo do Leão.[3] Destacou-se também por ser um dos pintores portugueses que mais se aproximou da corrente artística Impressionista. Foi o primeiro presidente da Sociedade Nacional de Belas Artes e foi feito Grande-Oficial da Ordem Militar de Sant'Iago da Espada.[4]

Em 1933, ano da sua morte, foi criado o Museu de José Malhoa nas Caldas da Rainha. Teve colaboração artística na revista Atlantida[5] (1915-1920). O seu conhecido "Casulo", em Figueiró dos Vinhos, está restaurado e disponível para visita.

Foi sepultado no Cemitério dos Prazeres, em Lisboa. Esse texto como a imagem, foram extraídos da Wikipédia 1, Wikipédia 2.

Os Numerais

Veja a tabela abaixo, as progressões aritméticas na vertical.

Somos as Notas

As Notas Correm

As Notas São

Um dado de Figuras Musicais para utilizar em jogos musicais.